Catalog Search Results
Series
Description
Tai A Chau is home for both farmers and fishermen who use the island as a permanent harborfor their small floating homes. The daily routines of Mr. Wong, a fisherman, and Mr. Ng, a farmer, are representative of their respective problems of survival, mutual dependence, and hopes for the future.
Series
Description
An old Bolivian man nears the end of his life. He has property and status, but not contentment. Believing himself posessed by evil spirits, he opens his heart to reveal his anguish. His personal tragedy brings us close to every man's confrontation with the unknown, old age, and death.
Series
Description
Three women, varying in ages and therefore perspective, agree that life on a small Chinese island in Hong Kong waters, is better for them now than in the past. They are treated equal to the men in the rigors of manual labor and now participate fully in the island's decision-making and economic life.
Series
Description
Tai A Chau symbolically rids itself of the last vestiges of the Old China. The town is represented by the Landlord Chan when it sells land to buy a freshwater pond. The community effort to improve the island's economic well-being brings together government representatives and the land people.
Series
Description
The words of the women and the rhythm of their lives in the seclusion of family compounds suggests both the satisfying and the limiting aspects of a woman's role in a rural Afghan community. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul.The theme of the film focuses on women. The film and accompaning instructor notes examine the economic,...
Series
Description
Viracocha features mestizos and campesinos in the Andean highlands interacting within a near-subsistance economic system. Market days and fiestas provide opportunities for Spanish-speaking mestizos, alternately benign and abusive, to assert their traditional social dominance over the Aymara and Quechua campesinos.
Series
Description
The people of the Bolivian highlands blend in thought and practice the traditional magic of the region and the religion of their conquerors. A fatal automobile accident, coincident with the festival of Santiago, provides occasion for unique expressions of both faith and magic in the effort to influence events.
Series
Description
This film demonstrates the time-honored solutions to the problems associated with the Boran's dependence on cattle for living. Direct government intervention and the indirect impact of modernization are forcing the old patterns to change. The film depicts herding practices, movement patterns, watering strategies, and the lifestyle of the herdsmen.
Series
Description
The film concerns the traditional "floating population" who fish Chinese coastal waters from family sized Junks based in Hong Kong in competition with salaried fisherman using large, mechanized boats. The combined effect of education and an increased integration with shore life is putting strains on the old ways.
Series
Description
Aymara women voice a common paradox. In the film they express agreement with the dominant Hispanic ideal that women should be subservient to men and assigned to tasks appropriate to their limited strength and intellegence. Yet Aymara culture recognizes their equal contributions to survival.
Series
Description
The film focuses on the life of Peter Boru, a sixteen-year-old former herdsboy who has become a boarding school student. Peter's life is juxtaposed to a traditional herdsboy, Dokata. The question, "Education for what?" is posed when both tradition and modern forces common to developing areas make the economic outlook bleak for young people, even if they are able to complete local educational requirements.
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