The Severing.
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kino Lorber, 2022., Kanopy Streaming, 2023.
Status
Description
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More Details
Format
eVideo
Language
English
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Date/Time and Place of Event
Originally produced by Kino Lorber in 2022.
Description
From acclaimed filmmaker Mark Pellington (The Mothman Prophecies) comes a visceral and powerful feature-length dance film. This cathartic movement piece was created in collaboration with the brilliant choreographer Nina McNeely (Gaspar Noe’s Climax), rising Dutch cinematographer Evelin Van Rei, and editor Sergio Pinheiro. Inspired by the Wim Wenders film Pina, Pellington was interested in expressing feelings and emotions through a ‘narrative of movement and text,’ told through the physical expression of dancers’ bodies and souls. Grief is physical and lies in the body, in our very DNA, which makes movement the ideal way to communicate it. In Pellington’s words, “It’s the way to express what it feels like to be severed or to feel nothing. The film is a cathartic reencounter for anybody who’s felt loss, or isolation, or struggled with these themes: fear, reconnection, isolation.”
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Pellington, M. (2022). The Severing . Kino Lorber.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Pellington, Mark. 2022. The Severing. Kino Lorber.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Pellington, Mark. The Severing Kino Lorber, 2022.
MLA Citation, 9th Edition (style guide)Pellington, Mark. The Severing Kino Lorber, 2022.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
1bbcee29-8c60-61f5-93e8-9fdb8a6994a4-eng
Grouping Information
| Grouped Work ID | 1bbcee29-8c60-61f5-93e8-9fdb8a6994a4-eng |
|---|---|
| Full title | severing |
| Author | kino lorber |
| Grouping Category | movie |
| Last Update | 2023-10-02 11:26:43AM |
| Last Indexed | 2024-04-17 02:32:17AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Oct 4, 2023 |
| Last Used | Oct 4, 2023 |
Marc Record
| First Detected | Oct 02, 2023 11:34:03 AM |
|---|---|
| Last File Modification Time | Oct 02, 2023 11:34:03 AM |
MARC Record
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| 500 | |a Title from title frames. | ||
| 500 | |a Film | ||
| 500 | |a In Process Record. | ||
| 518 | |a Originally produced by Kino Lorber in 2022. | ||
| 520 | |a From acclaimed filmmaker Mark Pellington (The Mothman Prophecies) comes a visceral and powerful feature-length dance film. This cathartic movement piece was created in collaboration with the brilliant choreographer Nina McNeely (Gaspar Noe’s Climax), rising Dutch cinematographer Evelin Van Rei, and editor Sergio Pinheiro. Inspired by the Wim Wenders film Pina, Pellington was interested in expressing feelings and emotions through a ‘narrative of movement and text,’ told through the physical expression of dancers’ bodies and souls. Grief is physical and lies in the body, in our very DNA, which makes movement the ideal way to communicate it. In Pellington’s words, “It’s the way to express what it feels like to be severed or to feel nothing. The film is a cathartic reencounter for anybody who’s felt loss, or isolation, or struggled with these themes: fear, reconnection, isolation.” | ||
| 538 | |a Mode of access: World Wide Web. | ||
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