Private Woman, Public Stage: Literary Domesticity in Nineteenth-Century America
(eBook)

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Published
The University of North Carolina Press, 2017.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781469617381

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Citations

APA Citation, 7th Edition (style guide)

Mary Kelley., & Mary Kelley|AUTHOR. (2017). Private Woman, Public Stage: Literary Domesticity in Nineteenth-Century America . The University of North Carolina Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Mary Kelley and Mary Kelley|AUTHOR. 2017. Private Woman, Public Stage: Literary Domesticity in Nineteenth-Century America. The University of North Carolina Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Mary Kelley and Mary Kelley|AUTHOR. Private Woman, Public Stage: Literary Domesticity in Nineteenth-Century America The University of North Carolina Press, 2017.

MLA Citation, 9th Edition (style guide)

Mary Kelley, and Mary Kelley|AUTHOR. Private Woman, Public Stage: Literary Domesticity in Nineteenth-Century America The University of North Carolina Press, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID38fea649-5ccf-5d17-7415-2464ebbfe1d7-eng
Full titleprivate woman public stage literary domesticity in nineteenth century america
Authorkelley mary
Grouping Categorybook
Last Update2024-05-15 02:01:14AM
Last Indexed2024-05-21 02:52:35AM

Book Cover Information

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First LoadedMay 5, 2024
Last UsedMay 5, 2024

Hoopla Extract Information

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    [synopsis] => In the decades spanning the nineteenth century, thousands of women entered the literary marketplace. Twelve of the century's most successful women writers provide the focus for Mary Kelley's landmark study: Maria Cummins, Caroline Howard Gilman, Caroline Lee Hentz, Mary Jane Holmes, Maria McIntosh, Sara Parton, Catharine Maria Sedgwick, E.D.E.N. Southworth, Harriet Beecher Stowe, Mary Virginia Terhune, Susan Warner, and Augusta Evans Wilson. These women shared more than commercial success. Collectively they created fictions that Kelley terms "literary domesticity," books that both embraced and called into question the complicated expectations shaping the lives of so many nineteenth-century women. Matured in a culture of domesticity and dismissed by a male writing establishment, they struggled to reconcile public recognition with the traditional roles of wife and mother. Drawing on the 200 volumes of published prose and on the letters, diaries, and journals of these writers, Kelley explores the tensions that accompanied their unprecedented literary success. In a new preface, she discusses the explosion in the scholarship on writing women since the original 1984 publication of Private Woman, Public Stage and reflects on the book's ongoing relevance.
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