The Masterpiece
(eBook)

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Published
Neeland Media LLC, 2010.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781420937640

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Citations

APA Citation, 7th Edition (style guide)

Émile Zola., & Émile Zola|AUTHOR. (2010). The Masterpiece . Neeland Media LLC.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Émile Zola and Émile Zola|AUTHOR. 2010. The Masterpiece. Neeland Media LLC.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Émile Zola and Émile Zola|AUTHOR. The Masterpiece Neeland Media LLC, 2010.

MLA Citation, 9th Edition (style guide)

Émile Zola, and Émile Zola|AUTHOR. The Masterpiece Neeland Media LLC, 2010.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID05af0e11-d7ca-55e0-6f7e-406146322103-eng
Full titlemasterpiece
Authorzola émile
Grouping Categorybook
Last Update2024-02-17 05:56:06AM
Last Indexed2024-03-28 02:07:10AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 24, 2024
Last UsedJan 24, 2024

Hoopla Extract Information

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    [synopsis] => The fourteenth novel in a twenty book series collectively entitled, "Les Rougon-Macquart, L'Œuvre" was first translated into English in 1886, the title having since been rendered "The Masterpiece". Set in France's Second Empire, the story of naturalist painter Claude Lantier is believed to be a highly fictionalized account of Zola's friendship with the painter Paul Cézanne. The fictional artist of Zola's Bohemian world, Lantier, strives to complete a great work that will reflect his own talent and genius as a revolutionary, but struggles greatly in living up to his artistic potential. The story was perhaps too personal for Cézanne, whose correspondence with Zola ended immediately after the novel's publication. Nevertheless, this story of the misunderstood artist, brilliant but scorned by the intolerant art-going public and their unwillingness to abandon traditional practices, epitomizes the attitudes of Bohemian Revolutionaries and the nineteenth century era of French Naturalism.
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